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We also took out the 66 framed photos that comprise the queen Photographic exhibition, and they were set up in an order I made up as I went along: a section for each band member, an Early years section, the Promo videos section, and queen. Aside from that, we printed off 40 huge posters to feature as 'wallpaper' kindly prepared by richard Gray.  Since we already had photographs covered in the framed pictures, and memorabilia covered in the cabinets, it seemed a good idea to cover the walls in pictures of the 15 studio albums, and promo posters for some of the singles, etc. The best, most significant images, in my opinion, were 24 or so concert posters: rainbow 74, liverpool 73, japan 82, europe 79, budapest 86, Opera 75, etc.  There are some real stunners there! All in all, i think the exhibition looks great and has a good feel about.

I would guess it's roughly the size the Stormtroopers In Stilettos exhibition in London early last year, but it's very different in various ways. I went out earlier this year to look at various venues with the people who organised the event, and then earlier this month I went back to set up the exhibits. I had ten benito large glass cases to fill, in any way i liked, plus as many upright cases for costumes as we needed. So, it made sense to set the room up in chronological order. Q1, Q2, sha in the first cabinet, nato datr in the second, notw jazz, and. It worked well and the result was ten very striking cases, full of rare items as well as familiar product: picture discs, cds, lps, phone cards, toy cars, badges, books, tickets, passes, magazines, etc. Many Freddie and Roger costumes too, plus lots of great items loaned by queen fans - including the original Fat Bottomed Girls handwritten lyrics, and an original Fan Club Letter, penned by fm in '89. Since i had 4 writing sets of 'works' hand written lyrics with me, plus some Freddie works costume and a gold award, it made sense to set up two cabinets just for that album. Some cabinets were full of stuff, others were deliberately sparse for contrast. I also did a queen live cabinet, just because i happened to have lots of tour programmes, tickets, lps, cds, laminates and passes, and this I think worked extremely well. All of the memorabilia came from Brian's personal archive.

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The new York times called it a "dapper new single while. Billboard billed it as "a sleek, wholly assured dance number with several start-stop components arranged in a way that's reminiscent of the first 'justified' single referencing "like i love you" from Timberlake's first solo album. If you haven't heard "Suit tie" yet, take a listen - what do you think? Greg Brooks has been out in Dresden for helping to set up the queen exhibition, he has sent us some images, and it looks amazing! Her is Greg's summary: The Dresden exhibition is called 'queen backstage'. It opened on October 12th and runs for 6 weeks through to nov 24th (the 24th being the 21st anniversary of you know what!). It's based in a huge shopping complex called Elbe park, in north Dresden (close to the airport and covers approximately 500 sq mtrs - so there's a lot to see.

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In an open letter to fans, timberlake said he's preparing for big things in 2013. "Back in June of last year, i quietly started working on what is now, my hippie next journey with that thing I love called music the 31-year-old said. "The inspiration for this really came out of the blue and to be honest, i didn't expect anything out. I just went into the studio and started playing around with some sounds and songs. It was probably the best time i've had in my career. Just creating with no rules and/or end goal in mind and really enjoying the process.". The result was that he developed something he "couldn't be more excited about! It is full of inspiration that I grew up listening to, and some newfound muses that i've discovered along the way. I hope you enjoy listening to it as much as i enjoyed making.".

Convinced early this year that he knew he could provide very high performance at very low cost, he put into place his plans and started a new company, one which bears his initials, src computers, Inc. The company will continue to follow the path laid out by seymour and will deliver a product of seymour's design. The inscription is from Robert Frost's, "The road Not taken" "I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and i- i took the one less traveled by, and that has made all the difference.". Copyright 1996 Charles. January 14th, 2013 11:12 am et, as he hinted last week, justin Timberlake has indeed delivered a new single via his website. Called "Suit tie the song also features jay-z, who shares writing credits with Timberlake, timbaland, jerome j-roc harmon and James Flauntleroy. Produced by timberlake, timbaland and j-roc, "Suit tie" is also the first single from Timberlake's first album in almost seven years, which he's calling "The 20/20 Experience.". That record is scheduled to drop sometime this year, and the single's currently available for purchase on itunes for the next 24 hours. It's also streaming on the new myspace and can be heard on his website.

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His sister tells the story about when seymour was a young boy, he rigged a morse code connection between his bedroom and his sister's so that they could communicate after lights out. His father became aware of the late night clicking and told seymour to shut down the system because it was bothering the rest of the household. Seymour's solution was to convert the clickers to lights and to continue to communicate with his sister. Seymour never wanted to offend anyone, and sometimes his answers to questions were cryptic or absent. To illustrate that, he told the story years ago about when a group of Russians interested in supercomputers visited his Control Data, chippewa falls laboratory. They couldn't believe that supercomputers were being developed in that small laboratory in the woods and were so impressed with seymour that during their visit they invited seymour to visit them in Russia.

Not wanting to say no, he avoided answering the question by just smiling. Later, as they were leaving the laboratory and on their way to talk to bill Norris, president of Control Data, they invited seymour again, and again seymour just smiled. When they met Bill Norris later in the day they asked Bill if he could explain seymour's strange behavior. Seymour was irrepressible, novel he never gave. When he had to close the doors on Cray computer Corporation in 1994, he immediately began to evaluate options available to build high performance systems out of commodity parts. He was impressed with the strides that the microprocessor manufacturers had made, and was convinced that within another iteration or two, the off-the-shelf microprocessor would provide performance competitive with custom processors.

He was not concerned about competition, but was always mindful of what his contemporaries were achieving. Seymour did not have any secrets. Seymour liked to work with fundamental and simple tools. Generally only a piece of paper and a pencil. But he admitted that some of his work required more sophisticated tools.


Once when told that Apple computer bought a cray to simulate their next Apple computer design, seymour remarked, "Funny, i am using an Apple to simulate the cray-3." His selection of people for his projects also reflected fundamentals. Once asked why he often hires new graduates to help him with early r d work, he replied, "Because they don't know that what I'm asking them to do is impossible, so they try." Off the job, seymour found many ways to distract himself from. He enjoyed skiing, sailing, wind surfing, tennis, hiking and other sports. Some of his distractions were unique and formed the basis of many stories, most of them true but perhaps distorted with time. He used these distractions to clear his mind for his work challenges. One favorite pastime he had was digging tunnels for the sheer joy of digging tunnels. Seymour loved challenges, and digging tunnels was just another challenge for him. Even as a child, seymour was a problem solver.

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He dedicated his entire career to the design and development of large-scale, high performance systems for science and engineering. He often said that he felt he was put on earth to do that job. He was given many awards and honors, and would have had many more had it not been for his nature to decline them in order to remain totally focused on his work. He led a streamlined life, designed to allow him to achieve his goals, goals that sometimes appeared to others to be utterly unachievable. Once when someone ordered oliver a phone for him because they noticed that he did not have one in his office, when asked where he wanted it installed, he replied, with a twinkle in his eye, "on the tree outside my office." seymour never exhibited any. He had an uncanny ability in his personal life and professional life to reduce all problems to very simple parameters, a way of separating the important from the unimportant and then focusing on the important. He always kept his end goal in mind, but his attention was with the current challenge. He never failed to impress people with his ability to move projects forward. Seymour was very open, always willing to discuss his challenges and proposed solutions.

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Seymour regarded every system he worked on as a stepping stone to the next. And most of them were foundations for other systems built by others using his basic designs. It is ironic that most of the competition for seymour's machines came from companies that he had been instrumental in lead making successful. Seymour has greatly influenced and affected everyone who has been aware of him and his achievements. He was a born optimist and his optimism was infectious. His contributions to the world over his 45-year career are well documented in the contributions made by his systems and are well known to most of us and many others around the world. No one in history in seymour's field has accomplished the consistent successes that he recorded during his lifetime.

software issues were too great for the industry to handle and concluded that greater performance could be achieved in a uniprocessor by implementing vector. That led to the cray-1, the first Cray research product. Cray-1 with the cray-2, the first computer to provide an order of magnitude increase in central memory size. The cray-2 was followed by the cray-3 which, while not commercially successful, demonstrated reliable operation at a 500 mhz clock speed. His last system, the cray-4 which was nearing completion before seymour had to abandon the project, was in 1994 operating at a clock rate of 1 ghz. A clock rate that no one else to date has achieved. All of seymour's systems were masterpieces of technology and esthetic design. To seymour, elegance of physical design was as important as reaching the performance goals. In this area also he was unmatched by anyone.

Barely a year and a half after seymour joined the company, he was regarded as an expert on digital computer technology and was made project engineer of the successful 1103 computer. During his six years with era he designed several other systems and in 1957 left era with four other individuals to form Control Data corporation. By 1960, at the age of 34, seymour had established dubai his reputation for genius in designing high performance computers. He had completed the design of the control Data 1604, the first computer to be fully transistorized and had begun the design of the first system that earned the title of supercomputer, the cdc 6600 which was also the first major system to employ three-dimensional. The 6600 was followed by the much faster cdc 7600. By 1970, seymour had been directly responsible for the design and development of the systems that were to shape the high performance computer industry for years to come. The last system that seymour worked on at cdc was the 8600 - work that demonstrated his clear vision of the challenges facing the high performance industry. He began work on the 8600 in 1968, and realized that improved clock speed alone would not allow him to reach his performance goals.

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Tribute to seymour Cray by Charles. Breckenridge, src computers, Inc. Presented during the keynote session at Supercomputing '96, november 19, 1996. It is fitting that we pay tribute today to seymour Cray, the individual who created the industry that led to the formation of this conference and the individual who has been for the last 40 years, the acknowledged leader of the high performance computer industry. Seymour's career began in 1951 when he joined Electronic. Research Associates, a company that had begun making early digital computers. Seymour's first job was working on the 1101, one of the very first general-purpose scientific systems built.


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