Alexanderkins were developed in many categories, but the two most celebrated of these were the Storybook dolls and the International Dolls. The Storybooks included such beloved figures as Little bo peep, little red Riding hood, and Mary, mary quite contrary. To the left, i have an image of a little red Riding hood. She is a somewhat later model of this doll, but gives a pleasant impression of the skill of the company. The International Dolls began to take us on a trip around the world to see the folk costumes of far off lands. The ensembles created for the Alexanderkins are truly movie magnificent in both their overall design and in their absolutely charming attention to detail. Beautiful trims, hats, shawls, bonnets and little shoes delighted the hearts of children and ladies and the popularity of Madame Alexander's creations skyrocketed. The face most connected with this era of dolls is the wendy face - that chubby-cheeked little girl whose relative age seems to hover around 5-7 years old.
Apart from this doll's signficance as a memento of a bygone age, she also bridges a major change in the history of dollmaking. At the end of the war, in her quest to create an unbreakable doll, madame Alexander make partnered with the dupont Corporation to create the first plastic doll. Margaret o'brien dolls appear first in composition, but the later dolls are made of this miracle new substance - hard plastic! During this decade, madame Alexander pioneered the first ever walking doll - jeannie walker. Numerous new face sculpts were created during the 1940's, including the doll created in honor of Olympic iceskater Sonja henie. The portrait Series of sumptously costumed dolls also dates to this period. 1950s - the golden Age of Madame Alexander Dolls. During the decade of the 1950s, madame Alexander received 4 awards from the new York fashion Academy for taste, style and unwavering quality of her dolls, and this is a period that is often referred to by doll collectors as the golden Age of Madame. I believe this feeling can be attributed to the 1953 introduction of the Alexanderkins - the 8" dolls that were to become synonymous with the name of Madame Alexander.
Government considered dolls to be morale-boosters for the American public and Madame Alexander graciously did her duty by creating a series of war-time armed-forces-themed dolls. The company kept its doors open throughout wwii, and continued their exploration of creating dolls around motion pictures and motion picture stars. The most famous of these from the 1940's is the margaret o'brien doll, shown to right. She was introduced in 1946 and was offered in a number of sizes from 14" to 21". Margaret o'brien was billed as everyone's ideal of a dear little girl, and likely you will remember her as tootie. Meet me. Louis (the little girl who knocks down the snow people, you remember!).
Wind the gone with essay - eedom- dolls
Throughout the 1930's, madame Alexander was continuously experimenting with different doll-making materials and with different doll resume sizes. Unhappy with the flat look of her first cloth dolls, she invented techniques of sculpting cloth. She then progressed to composition dolls with carefully painted faces. The next move was to create dolls with sleepy, open-close eyes to bring greater expression and a new life-like quality to the dolls' faces. And her flair with fabrics only grew the longer she worked at creating dolls. Madame Alexander's ability to dream up costumes was seemingly endless!
Toward the end of the 1930's, Alexander found a new fascination - the British royal Family. She created a face mold based on eleven year old Princess Elizabeth, and this mold was used for numerous dolls thereafter. The example shown here on the left is quite good of the face from this molding, though the doll is somewhat worn. Note the rounded features and sleepy eyes of this well-made doll. This image does a fine job of illustrating just how far the skill of the madame Alexander Doll Company had come by the end of the 1930's and it is little wonder that. Fortune magazine article dubbed beatrice Alexander, the queen of Dolls. 1940s - patriotic Madame Alexander Dolls and a whole new Doll Medium.
Madame's next inspiration came from reading a new novel written in 1936 by a southern writer - margaret Mitchell. Gone with the wind so captured beatrice Alexander's imagination that she created a scarlett o'hara doll. This was, of course, before the book was made into a film, and this original Scarlett doll was only to be the first of the many gone with the wind character dolls the company would continue to produce for decades. It was during the 1930's that Madame Alexander dolls began to take on an appearance that may begin to seem more familiar to those new to doll collecting. To the right we see an amazingly mint condition Madame Alexander doll from 1935. This character was called.
McGuffey anna and she stands 9" high. She is made entirely of composition and her face is painted. I was quite amazed to see the perfect skin tone of this doll at auction. There is no evidence of crazing or discoloration. She looks as if she was released yesterday! Madame Alexander fans will, i know, take tremendous pleasure in looking at this doll's detailed costume, complete with black hat, sprigged green dress and starched pinafore. Her mohair wig is in incredible condition and even her yellow hair ribbons look fresh.
Civil War Family, paper, dolls : 1860, paper, doll : Dress
Oliver wears a pale green velveteen jacket and has a mohair wig. On the back of his jacket the label reads "Oliver Twist, madame Alexander, new York." Such dolls are rare and highly collectible now in the 21st century. 1930's - a period of transition and invention for Madame Alexander Dolls. During the Great Depression, madame Alexander first began producing dolls made of composition. The company's first famous composition dolls were released in conjunction with Walt Disney's. The Three little pigs in 1933, and the two enterprises dream began a lasting partnership. Following this success, madame Alexander paid tribute to the headline-making birth of the dionne quintuplets. The dolls created to represent the babies were one of the madame Alexander Doll Company's greatest successes of all time.
They held a sale on the damaged goods to recoup some of their losses and jones got right back to work. To understand how beatrice felt about her work, consider the following" explaining her philosphy: "Dolls should contribute to a child's understanding of people, other times and other places. Dolls should develop an appreciation of art and literature in a child.". It is little wonder, then, that storybook characters, early motion picture stars and international characters became some of Alexander's best first dolls, and were her recurring subjects for the rest of her career. She wanted to share her beautiful vision with children, and her personal desire for presenting herself as an elegant person of substance led to her adopting the title madam Alexander, which first appeared in an article in a 1928 edition of the magazine. To the left, we have a wonderful example of a more advanced cloth doll from the early 1930's. This is Oliver Twist. He stands at 16" and features an all muslin body, but the felt mask face is a step toward greater realism, compared to the earlier Alice in Wonderland.
are extremely rare collectors items. To the right, you will see an all cloth Alice in Wonderland. These dolls originally sold for.50 a dozen wholesale - turning little profit for beatrice and her sisters. So many years later, we can appreciate the value of this primitive cloth doll, but, beatrice needed to make a real go of her business, and in 1923, she borrowed 1600 and created the Alexander Doll Company. Fao schwarz, one of the world's greatest toy stores, was among beatrice's first customers for cloth dolls. Over the next decade, the company faced ups-and-downs, including the bursting of a water tower that damaged all of the stock.
Lavishly dressed dolls by Bru, jumeau, simon halbig, and Armand Marseille could easily have been the little patients that beatrice studied in their silks and plumes, satins, laces and velvets. The years were to prove what an observant child she must have been - her eye for the minute details that give essay dolls and doll fashions superior appeal stands second to none, down through the ages. The story of beatrice Alexander - the woman who would become one of the most successful American business women of her generation - is not unlike that of some of our other national heros in the Arts. Born in a crowded ny ghetto, she looked beyond her surroundings and envisioned a world of beautiful things. She had the intelligence, the resourcefulness and the bravery to pursue her goals, no matter what the odds might. Beatrice was a young wife and mother in her early 20's when wwi broke out, throwing Europe into chaos and playing havoc with the. Alexander, who depended on a large portion of his dolls coming from Germany, trade embargos threatened to close the doors of his doll shop. Beatrice and her siblings refused to let this be the outcome, and using what materials they could get with relative ease, they created a little cloth doll in the costume of a red Cross Worker.
Vivien leigh, paper, dolls / Nejlevnější knihy
Album search for " AllMusic, suggestions: double-check the spelling of the words you searched for. Try searching for an album that the artist performed. Try looking up an artist who performed on the album you're looking for. Browse a genre, like pop/rock, rap, or country. To understand how Madame Alexander came to hold first place in the hearts of generations homework of doll collectors, one has to travel back to the world of dolls in which a little girl named beatrice Alexander grew. Living in a small Brooklyn aparment above the doll shop and doll hospital of her first-generation-American father, beatrice's daily life was amongst the lovely dolls of the Edwardian age. It is entertaining to reflect on the fabulous makes of old-world dolls that might have come into. Alexander's hospital for repairs.